Ten seconds can reshape a world forever.

Set during the 1999 Jiji earthquake in Taiwan, this animated documentary reconstructs a fragmented family memory through monochrome ink and oil painting.

The film is created on joss paper, a ritual material used in Taiwanese funerary practices. The image exists on a surface destined to disappear, where memory and erasure are inseparable.

Clay, ceramics, and layered paint extend this material approach, forming a fragile visual field of survival, loss, and silence.

A meditation on catastrophe as something carried not only in memory, but in matter itself.